7 weeks in Toronto. Zero social life. 4 Cameron House gigs with The Fugitives. One leather recliner chair that has molded to my shape. This is what making a record is like.
Yes, I’ve been spending 6 days a week since New Year’s in Green Door Studio with producer John Critchley (Dan Mangan, Amelia Curran) and bandmate Brendan McLeod working on this new record. The Fugitives is basically just Brendan and I now (save for the wonderful musicians we hire to make us look/sound good) so all 3 of us got to know each other pretty well. Anyway, my label Light Organ Records will be putting out the new record in the Fall and we can’t wait. But we will have to.
We are about to embark on a Western Canada tour in March. We kick off with a Vancouver show at the Biltmore Cabaret and then head out to Winnipeg and back. I’m delighted to say that my good friend Hannah Epperson will be joining us on fiddle for this tour and opening a lot of our shows. Check the tour dates page!
(Apologies to my friends in Brandon, MB. Scheduling doesn’t allow us to visit you lovelies this time but definitely in the Fall).
I don’t have one. Just kidding. Right now I’m pretending to be sick so I can finally finish watching the Wire. Then I’ll be able to get on with things. Recent good read: The Sisters Brothers by Canadian author Patrick DeWitt. Simple language but some of the most vivid scenes I can remember reading in a long time.
So on and so forth.